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At least on screen, the songs work very well – even if you struggle to recall the tunes later. Suri isn’t afraid to embellish all this old-fashioned drama with suitably ornate dialogues (“ Main marne ke liye nahin peeta, peene ke liye marta hoon” got a roar from the audience in the theatre I was in), and he gets strong support from a soundtrack whose male voices ooze anguish.
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But later, we see that he is a good guy after all – he just wants Rahul to concentrate on his career instead of someone else’s. There’s also the friend, Vivek (Shaad Randhawa), who, at first, seems to be a villain, hell-bent on preventing the union of Rahul and Aarohi. The man’s in New York, and his only contact with his son is through phone calls. (Never one to leave things to chance, this mother also keeps trying her luck with lottery tickets in Aashiqui too, the mother was the pillar of strength.) Rahul, on the other hand, has a distant father – literally. She’s provided expensive music tuitions so that the daughter can do what the father won’t, which is to keep the household running. In a lesser film, this character would regard her daughter as a golden goose, or she’d be a failed singer foisting her dreams on her daughter – but here, she’s empowered Aarohi. And like the early Mahesh Bhatt movies, the leads are surrounded by vivid characters – like Aarohi’s mother, who’s stuck with a husband who won’t bring in any money and has therefore had to take over the reins of the household. Like the earlier Aashiqui, this is a simple love story with strong emotional beats and a splash of psychological colour - derived almost wholesale from A Star is Born. The kindly record producer who hears this confession shakes his head sadly. At one point, she even invokes her inner Chhoti Bahu and says she’ll start drinking if he won’t quit – at least that way, she’ll be in his world.
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The bottle of booze in his hand could well be a bottle of milk - and Aarohi wants to be his mother. He turned into his own worst enemy and he doesn’t want to become hers, and he isn’t strong enough to fix himself. Around her, he’s constantly reminded of the way he treated his talent – he had a gift and he threw it away. Aarohi’s success, instead, becomes a source of self-flagellation. But here, Rahul doesn’t feel a smidgen of envy. In films like Abhimaan, the woman’s success becomes the source of the man’s shattered ego. Success came his way too easily, and he never learnt to respect it, value it. She asks, “ Usse kya hota hai?” He replies, “ Shuruaat.” To become a success, you have to want something badly – she does.Īnd he doesn’t. Later, he says he knows she’s going to make it big because – apart from her obvious talent – she was regarding the picture of the legendary playback singer like a child looking at the moon. She’s also gazing at a picture of Lata Mangeshkar behind him. And then, at a third-rate performing avenue, he sees Aarohi (Shraddha Kapoor) – she’s singing his song, the one we just heard him perform on stage. Rahul Jaykar (Aditya Roy Kapur), a singer-songwriter-composer who was once the “nation’s heartthrob,” has become a boozehound, getting into scraps at second-rate performing avenues. Support quality journalism and subscribe to Business Standard.A performer spurning his talent and spiraling into self-destruction, another plucked from obscurity and destined for greatness – this is the enduring A Star is Born formula, and in Aashiqui 2, the director Mohit Suri gives this story a refreshing spin. Your support through more subscriptions can help us practise the journalism to which we are committed. We believe in free, fair and credible journalism. More subscription to our online content can only help us achieve the goals of offering you even better and more relevant content. Our subscription model has seen an encouraging response from many of you, who have subscribed to our online content. Even during these difficult times arising out of Covid-19, we continue to remain committed to keeping you informed and updated with credible news, authoritative views and incisive commentary on topical issues of relevance.Īs we battle the economic impact of the pandemic, we need your support even more, so that we can continue to offer you more quality content.
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